Garden scenes in watercolor

I'm getting ready to paint numerous garden scenes, such as this one, for an illustration job. Watercolors lend themselves to painting details. Unfortunately, I still haven't mastered the knack for painting very quickly. I've been training myself to do quick, ten-minute sketches this summer, but it has not yet translated to my studio work. Got to speed it up!

Summer sketches

Here are some quick summertime sketches done in the Denver Botanic Gardens. They are done in watercolor and ink pen on some. I ride my bike to Gardens on summer mornings, hang out for a while painting and enjoying the plants. Everything is VERY lush and green this year due to the frequent rains we have been experiencing.

Fresh Palette

I just loaded up a new palette with watercolors. This palette will be used for field sketches, mostly landscapes. It is a thin lightweight palette good for packing for travel sketching, as well. The top row is the double primaries: Hansa yellow, cadmium yellow, cadmium red, quinacridone red, ultramarine, and cerulean.

The bottom row, left, is mixed greens:  bright middle green is hansa and ultramarine, dark blue greenis  hansa and ultramarine, a "grayed-up" green is cad yellow and ultramarine. a "browned-up" green (red-green) is yellow ocher and ultramarine.  Right, is yellow ocher, raw sienna and burnt sienna.

Below is permanent handy mixes: my favorite brown is cad yellow, quinacridone red, ultramarine; and my favorite gray is burnt sienna and ultramarine.

Notice that ultramarine travels through all these pre-mixed colors, creating a nice color harmony.

Farmer's Market

This is a watercolor sketch I did at the Cherry Creek Farmer's Market. It was done quickly, with a simple pen sketch and watercolor washes. While I was working a woman with two Siberian dogs sat down next to me. One of the dogs immediately sprawled across my feet. Good thing I like dogs, because it was hot already and to have a thick-furred Siberian covering my feet just raised the temperature even more!

Eggplant Studies

Here are three versions of eggplant drawings. The first is graphite on Strathmore 500 plate. The second is carbon dust on bristol vellum. The third is carbon dust on Clayboard. This series was really about trying out carbon dust techniques and comparing it to the graphite drawing. I really enjoy working in carbon dust and I have many more drawings planned and started.

Tibetan Refugee, Dharamsala

Here is the finished work, in oil on canvas. Actually, I may touch up a bit after I've had time to look at it for a while. There are a few areas that I'm not satisfied with, such as the upper part where the building edges overlap and the street recedes behind. Also, the bushes, but that is a minor annoyance. The title of this painting is now Tibetan Refugee, Dharamsala.

Dharmsala Shepherd

Here is the underpainting for this oil portrait. Next is to glaze in colors and then highlights. This painting, so far, is painted with two colors: a transparent Earth red mixed with ultramarine.

Why Nothing Gets Done

Here are four main projects that I'm working on simultaneously, as well as many associated smaller projects. No wonder nothing seems to get done. I feel compelled to work in many different mediums doing all different kinds of work. Considering art as a career, I suppose this has been the bane of my success. But considering my evolution as an artist, I suppose it is a necessary path, as I am constantly impelled to search new areas of interest. When all these projects are eventually completed there will be some nice work. But it takes a long time. If only I could just focus on the artwork and not on making money to support myself . . . . That is the struggle of artists everywhere. The images are: Passionflower in watercolor; wooden carved sculpture; Oil painting goat; Folded paper sculpture using bits of NYTimes.

What is it?

What the heck is this? It's the center of a passionflower (Passiflora incarnata). I'm working on several paintings of the passiflora. One will be of the garden hybrid P. x belotii and several will be of the native flower P. incarnata, commonly called the 'Maypop'. The larger version of this will include the passionflower fruits, which are small green orbs about the size of hen eggs. More to come on this project.

Figurative sculpture in clay

Ahhh...here is another diversion for me. Working three dimensionally in clay has been very different than anything I've done before in painting or drawing figuratively. Working "in the round" with a model was new and intuitively it worked fantastic for me. I could model the clay equally well with either hand and often I worked with my eyes closed to get the feel of the surface curves correct.